Learn the basics of using Microsoft Excel, including formatting your spreadsheet, data entry and automated formulas. Moderated by James Reap, J. The trunk show will offer hundreds of individual beads, bead sets and Czech buttons for sale from the curated collection by Mary Ann Kelly at Gone With the Bead. This one-man sketch comedy show explores the super accurate, multi-dimensional, totally realistic and definitely never erroneous, distorted or one-sided ways black males are portrayed in media.
Reservations required. One of them is a request line! Records and Brews. The kids of Athens Little Playhouse bring the fun to this original whodunit by director and playwright Lynne Thomas. See Pub Notes on p. Enjoy a blissful intersection of energy healing, guided meditation and multi-instrumental sound therapy. A 5K race presented by Half-Moon Outfitters. All proceeds are donated to The State Botanical Garden. The market hosts around 45 vendors, children's activities, live music and cooking demos. All produce is grown locally, sustainably and by those who are selling it.
The day-long festival features musicians, artists, storytellers, food, kids' activities and craft demonstrations. See story on p. Riverbend Greenhouses, 11 Riverbend Rd. Shop for a variety of landscaping plants trees, shrubs, perennials and annuals from local nurseries or grown by the Hort Club. Just like a yard sale, but everything is free. Bring what you can, take what you need. Help Peppa find the perfect costume for Halloween. Attendees can make Peppa Pig-themed crafts to take home. Ages 3 — 8 and a caregiver.
Costumes are welcome. A multiple-division table tennis tournament based on skill level.
Participants will play at least six matches. See Calendar Pick on p. Room A safe haven for writers to share and discuss their work any genre and all aspects of the writing process. This comedy satire, written by Atlanta comedian Mark Kendall, is based on corporate diversity seminars. Learn how to craft your own natural soap through "the cold process" method. Learn about what soap is, soap processes, fat and lye safety. Each student will make one pound of soap to take with them.
Pre-registration required. Enjoy restorative asana yoga that uses props to support the body and promote deep relaxation and healthy physiology. Laptops provided. Create nature-based crafts from Native American traditions. All materials provided. Children under 10 must have an adult caregiver present. Costumed dogs and their humans will walk through the Boulevard neighborhood! Post-parade festivities include live music, a pet photo booth, food trucks and kid activities.
Participants will learn to make illuminated lanterns that can also be a part of the upcoming Lantern Parade. Learn how to use herbs and clays to design naturally colorful soap. Also learn new swirl and layering design techniques to add interest and botanical benefits to your creations. All levels welcome. Participants will walk away with about lbs. Learn foundational knowledge to reading tarot cards for yourself and others. A reading demonstration and explanation of how the cards are interpreted will conclude the workshop.
A light reception will follow the event. Get a rare glimpse of history as Nancy Kissane talks about and shares her collection of rubbings from memorial brass plaques of medieval churches around Cambridgeshire, England. A new story-performance by Maryn Whitmore told in parts, exploring the concepts of discovered narrative, shared experience and autobiographical performance.
A conversation with the artist and a viewing of the full moon will follow the performance. In , Jason Thrasher crowd-sourced a months-long trip to India by pre-selling darkroom prints of the photographs he would make there and on his return exhibit as an enduring body of work. This trip coincided with the arrival of the Internet in India and the dawn of massive changes across the country that would occur over the next two decades.
Teen chess players of all skill levels can play matches and learn from members of the local Chess and Community Players, who will be on hand to assist players and help build skill levels. For ages 7— Songs, finger plays, wiggles and giggles for ages three and under. Caregivers will receive pointers for building literacy and language skills. Previous pair of runner-up efforts were solid enough and no forlorn hope provided he settles this time. Foaled 30 Mar.
Placed in three of eight starts. Beaten 9l behind In The Cove at when 10th of 11 on his latest outing at Wolverhampton over 7f last month. He is wearing a hood for the first time. S Kirk. Makes handicap debut. Foaled 17 Feb. Unplaced in all three starts. Well beaten at behind Firebird Song when last of 11 on her latest outing at Wolverhampton over 1m 1f last month.
Ray Dawson 5. M L W Bell. S W Kelly. Richard Hughes. Third of 11 behind Delicious beaten 2l at on her latest outing at Wolverhampton over 7f last month. Nicola Currie. T D Barron. Very good fourth of 12 in nursery at Wolverhampton 6. Well worth a crack at this longer trip.
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Foaled 13 Feb. Placed once in five starts. Finished 2l behind Rich Approach when fourth of 12 at on her latest outing at Wolverhampton over 6f last month. D C Costello. J A Osborne. Foaled 3 Mar. Beaten 10l behind Attainment at when 11th of 12 on his latest outing at Lingfield over 7f in October. S M Levey. D R C Elsworth. Cheekpieces on 1st time. Needs others to falter. Foaled 12 Mar. She is wearing cheekpieces for the first time. F Norton. R C Guest. Fourth of 11 in nursery at Wolverhampton 7. Needs to step up to figure. Foaled 30 Apr. Yet to place in four starts.
David Probert. R Harris. Winner at Ffos Las in September. Player back in this much more suitable contest. Foaled 19 Mar. A winner at 6f. Finished 6l behind Total Commitment when sixth of 10 at on his latest outing at Kempton over 6f earlier this month. R Havlin. Rae Guest. Foaled 12 Feb. Yet to place in seven starts. Pretty Eyes wears first-time blinkers and remains open to plenty of improvement, while Cognac Blue looks progressive and has a Redcar claimer win to his name. Thoth the scribe showing up in that moment felt like a blessing.
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We started the project the next day. We put out the word we were looking for models, and within two weeks most of the major arcana and royalty were photographed. For the pip cards we took photos in landscapes around Apollo Bay. And then she modelled for us with almost her whole family! The photos were simplified into layers of solid colour and the palette was kept very minimal.
We used transparency for skin and picked out shadows for definition. We had many late nights in front of the computer and enjoyed every minute of it. When it came to picking a box for the cards, nothing seemed quite right until we thought of the beautiful work of local textile artist Lyndi Whelan, and asked if she'd like to help with creating a 'reading cloth'.
As we tell this, she is bent over her cauldron experimenting with soy milk, gum leaves, seaweed and a huge pile of muslin. Stylistically, this project is a big leap away from what we've done in the past. We were inspired by Art Nouveau and Art Deco poster art.
We tried to find an aesthetic that matched the feeling we got from the Apollo Bay area. Fate offers such grace. We can either take the offer or step back. This house, this land, these excellent people have been offered to us so we'll do our best to be worthy of the offering. What's next for us? Maybe a Coastal Kama Sutra? Really, we're just very excited about the growth of the Otway region into a thriving community of fine artists, artisans, and all of those who would lead a finely crafted life. Being part of that is amazing. Our website is blackwoodandgreenstone. Apollo Inc.
Apollo BayArts Arts Inc. Apollo BayBay Arts Inc. We activitiesininall allart artforms, forms,totoassist assistlocal localartists artists and and bring bring artistic artistic performances performances to We are are activities in all art forms, to assist local artists and bring artistic performances to Apollo Bay.
We are 33 years old, formed in and incorporated in Over the years, the group has grown and now 33 years old, formed in and incorporated in Anyone can join and it's free. Enquiries to apollobayarts gmail. Our funding is from grants, fundraising raffles Enquiries to apollobayarts gmail. Lorna Pitkethly and Brian Williams We have lived here for 25 years since , before that we would visit on holidays.
One time we were heading back to Melbourne from our caravan trip and stopped out on the Great Ocean Road at the Museum which was newly opening at the Cable Station. For 18 years we have been part of the Apollo Bay Art Show, both in exhibiting and setting up. Lorna works with kiln-fired transparent and opaque glass to create 2D and 3D artworks, and Brian with a wood turners lathe to create pieces from various timbers.
Huon pine and Blackwood are 2 timbers he likes to use, however he uses all timbers and has also used recycled materials. Lorna and Brian were both raised in families with artistic leanings. Creativity was encouraged and they have always themselves been interested in attending art exhibitions. Lorna is inspired by the environment, natural world and history of art.
Her main interest is design and colour and the practical techniques of using a kiln and firing and slumping glass. Brian likes to produce items which are needed so that they are useful whilst at the same time ornamental. His inspiration comes from the ideas he dreams up in his mind and then tries to create in the making process.
Since this interview Brian sadly passed away. Our thoughts are with Lorna, friends and family. I then focussed on painting on canvas. I get inspired by the history of places and things, whether it be driving through rural countryside or walking around the block, and usually make works in series to explore a concept.
My Hull series was inspired by old boat hulls stored around the corner from my studio. Other subjects include old dairies, canola fields, silos, the inescapable ocean, landscapes and more, some of which will be shown at the Apollo Bay Art Show. Website: apollobaygallery.
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Cathy Donovan Being an artist is about being truly myself. My earliest memory as an artist was of painting over other artworks hanging in my home at 12 years old. I had faith in my art. Over my life art was a constant companion, but now it is my passionate focus. I want to support others to take up art too, and give workshops and classes and share resources whenever I can. Until recently watercolour and textiles were my key mediums, but since moving to Apollo Bay I have extended to printmaking intaglio and collographs and other painting mediums.
I expect to showcase printmaking in this years art show, but an odd watercolour may creep in! My inspiration comes from birds and the stunning colour and drama in the sea and forest around me. Following this I worked in the arts field as a curator of visual arts exhibitions and as a programmer for art house film, preferring art that offers the viewer the freedom to interpret. Most of my works come from a specific place or topic that get pasted onto the canvas in multiple coats.
Me and my partner live in Apollo Bay and run the social enterprise of the Conservation Ecology Centre, raising funds for conservation in the Otways. These local artists and many more will be exhibiting at the 42nd Apollo Bay Art Show. Follow us on social media facebook. I always put my creative masterpieces first, these being my three children. My living, breathing master pieces. Now that they are adults, I can indulge myself completely in my professional career as a full-time artist. What are your plans and hopes for the future? I plan to make this happen through sound and light.
Art changes with the evolution of life. Where can people view your art? My Salt and Pepper Gallery is open 7 days 10am-4pm. I continue to exhibit at other venues as well as within my gallery. My Facebook page saltandpeppergallery will show current exhibitions.
Please feel free to contact me if you need any information. I feel more alive, more energised, more creative, more me when I can have contact with the ocean. It might be visual or just jumping in and splashing about. I love being under the water. I paint a lot of underwater scenes. I can see a community under the water. We are in nature as much as nature is within us.
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What has been your art journey up to now? It has been 42 years since my first exhibition. Since then I have had the pleasure of working with many different artists. During this collaboration I have shared and learnt. I continue to learn and share my art with this group of artisans. We exhibit annually. This means I have a solo exhibition which is continually running.
What has been the biggest challenge in your life as an artist?
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Challenges change as I grow older. I see each challenge as a chance to grow and change in my art form. In my earlier. Jan Stickland creates sensitive and meditative works. The core of her practice is print making, but she also works in paint, drawing and mixed media. Her work, influenced by the Japanese concept of Wabi Sabi, celebrates the beauty of the mundane object with all the imperfections, while simultaneously reflecting fragility and vulnerability.
What brought you to this part of the world? To be selected to exhibit, and help represent Australia, was a huge honour. There were 12 Australian artists involved in solo exhibitions. The atmosphere during the conference was of sharing and learning, the day my exhibition opened I was overwhelmed with the positive feedback, plus the interest and enquiries into my techniques. It was an incredible feeling to be regarded on the same level as many of the printmakers I have spent years looking up to and admiring.
We knew little of Colac and the Otways however my husband and I have loved raising our three children here. The landscapes surrounding us are magnificent, schooling and sporting opportunities fantastic, and the people are so welcoming , generous and kind hearted. I enjoy being an active committee member at Red Rock Regional Theatre and Gallery, organising and curating regular exhibitions including the annual Corangamarah Art Prize. I have participated in many exhibitions in Victoria as well as Japan, U. Recently in Spain I was a delegate at the international printmaking conference IMPACT 10 where I was selected as a solo exhibitor, showcasing contemporary international printmaking trends.
What have been the biggest challenges in your life as an artist? There are two very large challenges for artists living in a small country town. The first is to allow yourself the time to create and not let life take over. Over the years I have happily and very willingly given up the time required for art production to my beautiful family and my career.
The second and probably the greatest difficulty is the feeling of creative isolation. Recently I have experienced how much easier it is to maintain inspiration and a productive arts practice when you have regular contact with other artists. Decay and Vulnerability is a quiet and contemplative work. I have used the analogy of the skeleton leaf to create a very personal autobiographical statement. It speaks of the isolation of the individual, but more emphatically, it speaks of the beauty that can be found in decay and the strength that can be gained by exposing your vulnerability.
Lino cut with chin colle. Colac Otway Performing Art Centre. It would be wonderful if the Colac Otway Shire was able to support the visual arts by renting studio spaces to artists, creating a centre and network for casual and organised inspiration. This is my dream for this area! I know creative isolation is a problem for many people on all levels of creative production and such a centre would help towards completing the whole picture of what Colac Otway Shire can provide for the well-being of its population.
To keep creating art, and to keep challenging what I create. Contemporary landscape artist Barbara Bateman is a Melbourne artist who draws and paints the natural environment from her Otway bush and seaside property on the Great Ocean Road near Lorne. Her paintings are autobiographical and deeply personal. They record her memories, imagination and emotional states. Barbara stands in the bush or on the beach and draws, paints and photographs what is in front of her then moves into the studio to arrange the interplay of light and colour observed and interpreted by her in a contemporary way.
She does not use traditional perspective where converging lines meet a central point but places equal importance on the arrangement of forms, colours and volumes in space Otway Life Almanac Her painterly and colourful broken brushstrokes cover the entire surface space in an abstract manner. Her artworks involve a process of interiorisation, of getting into the soul of things to reach the truth and essence.
It is an ascetic exercise through which she filters out the most spectacular of what is visible. Barbara has two studios, one at Cathedral Rock on the Great Ocean Road where she does most of her plein-air work and drawings. On return to her second studio in Melbourne she often works up her paintings into their contemporary formats. Phone 03 "Another Kind of Experience" Oil on linen, width cm x height 76cm. Here's a sneak peak Caroline Hawkins 2. Cinnamon Stephens 3. Donna Pollock 4. Peta Uthmeyer 5. Melinda Solly 6.
Veronica MacDonald 7. Moving from Melbourne to Aireys Inlet in was a touch of 'Seachange', 'Always Greener' or just plain going home to the country. I have always had an interest in tactile arts and crafts, having knitted my way through the late eighties, making teddy bears in the mid nineties. My inspiration comes from nature, colors, different mediums and textures.
The mosaics become organic, taking a shape and life of their own. My art can be placed either inside or outside. I was very fortunate to meet Cinnamon Stephens who collaborated in creates frames for my hanging mosaics. I have continued to exhibit with Geelong Sculptors Inc. In Geelong Sculptures Inc was contracted to make a moving, touchable sculpture to commemorate the year anniversary of Braille. I am feeling extremely excited and a little daunted by this and look forward to the future of more creativity.
I also will be running classes in Every Ginkoh Jewellery piece is cast and crafted in my home studio in Anglesea. One of a kind individualised jewellery to suit you and your purpose. Ginkoh Jewellery began in focusing on customised wedding rings, repairs and reworks. I also supply original pieces to galleries and retailers locally and in Melbourne. You're welcome to visit my studio upon appointment to discuss what you need and see how they're made.
Anglesea has an abundance of art! This mini art trail gives you the contacts for seven of these home studios. Coilyline Studio 7 Ramsay st. Anglesea Artisan 11a Evans st. Ginkoh 21 5th Avenue. These are her primary subjects and her talent interest varies with the usage of different mediums, paintings, drawings and sculptures. Justine has initiated her journey through art since with advice from her doctor to fulfil her days.
Diagnosed with Multiple Sclerosis this propelled her to use her creativity to the utmost. Justine teaches workshops on Acrylic Painting and also Sculptures from a cement modelling compound called Pal Tiya from her studio in Marshall. Commissions are most welcome for paintings, drawings, portraits and sculptures. Open by appointment.
T: E: juztart yahoo. Searching gloomily for inspiration, for something new to photograph one day, I wandered into my toy room. Yes, I have a toy room. And yes, I refuse to grow up! It began many years ago when I owned a toy shop and had the opportunity to collect vintage toys. And there they were. The marionettes, the puppets, the ventriloquist dummies; all begging silently to be in the picture and eager to strut their stuff. And so began my Playful Art Prints and Cards journey.
The planning and composition of my images can take quite a long time, as does the post-production. At the heart of it though is the playfulness. Always the playfulness. I create my images for that inner child in us all. I hope they arouse a childhood memory. Or a smile. A laugh perhaps. Lenora Freadrich I was born and raised on a farm in Canada. After moving to Australia to be close to family, I fell in love with this Great Southern Land whilst living in East Gippsland where my garden became an extension of my canvas.